tag:blogger.com,1999:blog-55104208722770943162011-04-21T14:08:50.566-07:00Neilhttp://www.blogger.com/profile/04983802138882635729noreply@blogger.comBlogger21100tag:blogger.com,1999:blog-5510420872277094316.post-60891389253558278502007-02-26T15:33:00.001-08:002007-02-26T15:33:24.035-08:00<div align="center"><a href="http://www.flickr.com/photos/neilphotos/403203623/" title="Photo Sharing"><img style="border: medium none ;" src="http://farm1.static.flickr.com/159/403203623_11817db004.jpg" alt="Sweet Leaf" height="327" width="327" /><br /></a></div><p><a href="http://www.binhdanh.com/">Binh</a> (<a href="http://neilcomics.com/2006/08/jelly-days.html">mentioned earlier</a>) is featured in the March issue of <a href="http://www.giantrobot.com/"><em>Giant Robot</em></a> magazine, with lots of big glossy photos of his California Biennial exhibit, and some other pieces. The interview by Martin Wong is practical and humorous; I wish mainstream fine art journalism would sway a bit more like this. And in fact, Martin's simply articulated impression of the work is among the more eloquent that I've come across: </p><blockquote>"...The effect is haunting, as if humanity's violent history has been witnessed, processed, and archived by nature itself."</blockquote><p></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5510420872277094316-6089138925355827850?l=testblog-neil.blogspot.com' alt='' /></div>Neilhttp://www.blogger.com/profile/04983802138882635729noreply@blogger.com0tag:blogger.com,1999:blog-5510420872277094316.post-18698710822427474482007-02-14T22:40:00.000-08:002007-02-14T22:44:01.583-08:00This is a test of how the blog post body will look in the new theme I'm working on.<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5510420872277094316-1869871082242747448?l=testblog-neil.blogspot.com' alt='' /></div>Neilhttp://www.blogger.com/profile/04983802138882635729noreply@blogger.com0