Binh (mentioned earlier) is featured in the March issue of Giant Robot magazine, with lots of big glossy photos of his California Biennial exhibit, and some other pieces. The interview by Martin Wong is practical and humorous; I wish mainstream fine art journalism would sway a bit more like this. And in fact, Martin's simply articulated impression of the work is among the more eloquent that I've come across:
"...The effect is haunting, as if humanity's violent history has been witnessed, processed, and archived by nature itself."
